文献类型：期刊文献

中文题名：手风琴独奏曲《十面埋伏》演奏思路及演奏处理

英文题名：Discussion on the Performance Thought and Performance Disposal of the Accordion Solo House of Flying Daggers

作者：王东方[1]

第一作者：王东方

机构：[1]新乡学院音乐系,河南新乡453003

第一机构：新乡学院音乐学院

年份：2009

期号：4

起止页码：150-152

中文期刊名：新乡学院学报：社会科学版

外文期刊名：Journal of Xinxiang Teachers College

语种：中文

中文关键词：手风琴;十面埋伏;演奏思路;演奏处理

外文关键词：accordion; House Of Flying Daggers; performance thought; performance disposal

摘要：《十面埋伏》原是我国流传已久的、著名的琵琶独奏曲,取材于历史上楚汉相争中决定胜负的重要战役———垓下之战。乐曲用形象鲜明的音乐语言,来展现气势宏伟的战争场面和慷慨悲壮的故事情节。手风琴独奏曲《十面埋伏》是由手风琴演奏家姜杰根据琵琶独奏曲改编而成。首先对琵琶、手风琴的表现风格进行比较,继而细致阐述了手风琴独奏曲《十面埋伏》演奏技术的艺术处理。
House Of Flying Daggers is a widely spread and famous pipa solo with a long history. Its drawing materials came from Gaixia war which is an important and decisive war of the Chu-Han war. The distinctive music language was used to show the magnificent war scene and solemn and stirring plot. The accordion solo House Of Flying Daggers is adapted from the pipa solo by Jiangjie. By comparing the performance style between pipa and accordion, the artistic treatment of performance skills in the accordion solo House Of Flying Daggers was described in detail.