文献类型：期刊文献

中文题名：康德《判断力批判》论域中的美学透视与建构

英文题名：Aesthetic Perspective and Construction in Kant's Critique of Judgment

作者：周彦每[1]

第一作者：周彦每

机构：[1]新乡学院公共外语教学部

第一机构：新乡学院大学外语部

年份：2011

卷号：12

期号：3

起止页码：6-9

中文期刊名：太原大学学报

外文期刊名：Journal of Taiyuan University

基金：河南省社科联人文社科规划项目(10AZZ003)

语种：中文

中文关键词：康德;《判断力批判》;美学;透视;建构

外文关键词：Kant; critique of judgment; aesthetics; perspective; construction

摘要：康德美学思想体系是康德思想大厦的基石之一。在《判断力批判》理论著作中,其从质、量、关系和方式四个维度厘清了审美判断的界定:从质上讲,康德美学思想认为鉴赏判断的审美快感是没有任何利害关系的,是经验与理想审美的二元构成;从量上讲,审美不凭借概念而属于普遍令人愉快的,是目标与过程美感的统一体;从关系上讲,美的判定仅仅是单纯形式的合目的性;从方式上讲,美是不依赖概念而被当作一种必然的愉快的对象,这种必然是建立在人都有"共通感"这个前提上的。
Kant＇s aesthetic thought is one of the foundations of his whole thought. In his theoretical works ＂ Critique of Judgment＂, the definition of aesthetic judgment is clarified from the four dimensions of quality, quantity, relation and method. From quality, Kant＇s aesthetic thought holds that the aesthetic pleasure of judgment appreciation is formed by the duality of experience and ideal aesthetics, so it is of no interest. From quantity, aesthetics is the unity of objective and process ; it is pleasant by no means of concept. From relation, aesthetic judgment is only purely keeping with the objective. From method, aesthetics is regarded as an inevitably pleasant objective by no means of concept, this inevitability is founded in the base of ＂common feeling＂ which everyone has.