文献类型：期刊文献

中文题名：诗歌韵律的破与立——兼谈新诗音乐性的断层

英文题名：The Disbanding and the Rebuilding of the Rhythm in the Poem and the Dislocation of the New Poem's Musical Aspect

作者：左攀峰[1];赵文阁[1]

第一作者：左攀峰

机构：[1]新乡师范高等专科学校中文系,河南新乡453000

第一机构：新乡学院文学院

年份：2004

卷号：18

期号：6

起止页码：16-18

中文期刊名：新乡师范高等专科学校学报

外文期刊名：Journal of Xinxiang Teachers College

语种：中文

中文关键词：诗;音乐性;断层;飞跃

外文关键词：poem; musical aspect; dislocation; flight

摘要：中国古典诗词在几千年的发展中，形成了一系列适应自身语言系统的诗歌形式规范，积累了无数约定俗成而蕴涵丰富的诗的语汇、诗的意象、诗的音乐性以及稳定的艺术思维和运思方式。但新诗的清新自然、灵活自由和承载思想内容之大是旧诗永远无法与之比肩的。然而新诗在对语言艺术的探索中因音乐性的缺失而带来发展上的禁锢与滞涩，这是毋庸置疑的。从整体上把握中国诗歌韵律发展的脉络，以阐释中国新诗在对传统矫枉过正的发展与突破中的问题及现状。
Chinese classical poem has formed a series of poetic standards, which adjusted to its language system, and accumulated numerous prescriptive but plentiful implicative characters such as poetic vocabulary, symbol music aspect and stable artistic thought and course way during the several thousand years ,in some extent, on new agility freedom and capacity of holding the content ,old poem can never rival with new poem .However, as for the new poem, It is no doubt that there are also durance and lag in groping the language art for the lack of the music .and then this article is trying to catch hold of the thread of Chinese poem rhythm development in the whole, and also define some questions and current situation ,which focus on the struggle between new poem and the traditional fetter.