文献类型：期刊文献

中文题名：浅谈魏晋之前的中国写意观念

英文题名：Brief Talk on the Concept of Freehand in China before the Wei and Jin Dynasties

作者：李冬冬[1]

第一作者：李冬冬

机构：[1]新乡学院艺术学院

第一机构：新乡学院艺术学院

年份：2012

卷号：0

期号：11X

起止页码：138-139

中文期刊名：艺术与设计：理论版

语种：中文

中文关键词：写意;写意观念;哲学

外文关键词：Freehand;;The Concept of Freehand;;Philosophy

摘要：中国文艺理论出现在魏晋时期,关于写意的论述也是从魏晋时期才开始逐渐的出现在文艺理论中,但是在此之前,写意的思维已经蕴含在早期的许多艺术形式中,它的产生和发展都与中国的哲学思想密切相连。本文以历史发展为脉络,结合当时的社会历史文化背景,通过对写意思维产生的渊源以及内涵做简要分析阐述。写意是中国艺术精神中最具有代表性的特点。通过对写意的研究,可以更深入的了解该艺术理论体系,弘扬本民族的传统文化,特别是对今后的艺术创作和文化交流具有指导作用。
Chinese literary theory was appeared in Wei and Jin.The exposition of freehand was also begun to appear in literary theory during the same period.But before that,the thinking of freehand was implied in many early artistic forms,and its emergence and development are closely linked with Chinese philosophy.Based on the historical development context,combined with the prevailing socio-historical and cultural background,do a brief analysis elaborated by its origin and connotation.Freehand is the most representative of the spirit in Chinese art features.By research it,more in-depth understanding of the art theoretical system,carrying forward the traditional culture of the nation,has a guiding role for the future of artistic creation and cultural exchanges.